这部纪录片聚焦在新斯科细亚少数族群，记述他们为了工业废弃物的致命危害向政府官员艰困抗战的故事。

这部纪录片聚焦在新斯科细亚少数族群，记述他们为了工业废弃物的致命危害向政府官员艰困抗战的故事。

种族主义每天都能登上头版头条。现在，有一种新的探测大脑中种族偏见的科学方法，但是，这种方法有多有用呢？主持人雅思敏·阿卜杜勒-麻吉想知道：这种新的科学方法是否能暴露种族主义？科学是否能帮我们降低自身的偏见？主持人以及四位志愿者参加了一个社会实验，10天的实验后，每一位参与人都发生了变化，都与进来的时候不一样了。如果人们能在10天内发生改变，那么，这就是个非常有希望的信息，说明人生是可以发生改变的。种族主义是一个没有简单解决方法的复杂问题，这个新的科学前沿能永远改变战胜种族主义的方式。

美国公民自由联盟（ACLU）律师杰弗里·罗宾逊（Jeffery Robinson）关于美国反黑人种族主义历史的震撼演讲，与档案资料、采访以及罗宾逊的个人故事交织在一起，探讨了白人至上主义的遗产以及我们共同克服这一问题的责任。

美国公民自由联盟（ACLU）律师杰弗里·罗宾逊（Jeffery Robinson）关于美国反黑人种族主义历史的震撼演讲，与档案资料、采访以及罗宾逊的个人故事交织在一起，探讨了白人至上主义的遗产以及我们共同克服这一问题的责任。

ABC在提交独占罚款下，宣布开发诗选剧《民权运动里的女子 Women of the Movement》，剧集由Marissa Jo Cerar负责执笔，Jay-Z﹑Will Smith及Aaron Kaplan的多家制片公司联合制作。 　　《民权运动里的女子》首季改编自Devery S. Anderson所写的《Emmett Till: The Murder That Shocked the World and Propelled the Civil Rights Movement》，讲述Mamie Till儿子Emmett Till在1955年时被杀后，她用了毕身精力为儿子寻求正义，并引爆了黑人民权运动。

ABC在提交独占罚款下，宣布开发诗选剧《民权运动里的女子 Women of the Movement》，剧集由Marissa Jo Cerar负责执笔，Jay-Z﹑Will Smith及Aaron Kaplan的多家制片公司联合制作。 　　《民权运动里的女子》首季改编自Devery S. Anderson所写的《Emmett Till: The Murder That Shocked the World and Propelled the Civil Rights Movement》，讲述Mamie Till儿子Emmett Till在1955年时被杀后，她用了毕身精力为儿子寻求正义，并引爆了黑人民权运动。

911后伊斯兰移民在美国的遭遇

An elliptical look at a young man’s homecoming, emerging LA filmmaker Dwayne LeBlanc’s Civic idles in the in-between. Framed entirely within the confines of a car’s interior, LeBlanc’s richly textured short is built on small gestures, sporadic interruptions, and long pauses between belly laughs, all told beneath the soft rumble of traffic. Missed phone calls and muffled voices come and go as Booker (Barrington Darius) reconnects with friends and family, telling a subtle story of displacement and the enduring desire for recognition in South Central Los Angeles. 　　 　　The first of a trilogy of shorts investigating migration, Civic is concerned with what casual interactions and ordinary habits say about our circumstances, rather than any kind of clearly defined dramatic tension. After a lengthy absence, Booker floats through the familiar side streets and freeways of LA with fresh eyes. Along the way, he’s met with mixed reactions from those who’ve stayed. Some call him a “big shot” for leaving, others tease him for having the same haircut and music taste. A flag of Dominica hangs from his rearview mirror, which together with a few half-thoughts and unfinished phrases, hints at a previous generation’s parallel journey from home.

An elliptical look at a young man’s homecoming, emerging LA filmmaker Dwayne LeBlanc’s Civic idles in the in-between. Framed entirely within the confines of a car’s interior, LeBlanc’s richly textured short is built on small gestures, sporadic interruptions, and long pauses between belly laughs, all told beneath the soft rumble of traffic. Missed phone calls and muffled voices come and go as Booker (Barrington Darius) reconnects with friends and family, telling a subtle story of displacement and the enduring desire for recognition in South Central Los Angeles. 　　 　　The first of a trilogy of shorts investigating migration, Civic is concerned with what casual interactions and ordinary habits say about our circumstances, rather than any kind of clearly defined dramatic tension. After a lengthy absence, Booker floats through the familiar side streets and freeways of LA with fresh eyes. Along the way, he’s met with mixed reactions from those who’ve stayed. Some call him a “big shot” for leaving, others tease him for having the same haircut and music taste. A flag of Dominica hangs from his rearview mirror, which together with a few half-thoughts and unfinished phrases, hints at a previous generation’s parallel journey from home.